Saturday, September 03, 2005

The Raider!


In an earlier post, we mentioned former Will Eisner student Alex Saviuk. This time we offer another former Eisner student/assistant, Mike Ploog, as we delve into the archives for an early seventies issue of ESQUIRE which featured unusual super-heroes designed by the hot young comics artists of the day including those STUDIO boys, Wrightson, Jones and (Windsor-)Smith. Intended as social satire, most of them are pretty to look at but fall flat. While we may revisit some of these later on, allow me to share with you now THE RAIDER by Mike Ploog. Although he never actually worked on THE SPIRIT, it is amazingly clear here that Ploog, then famous for Marvel's WEREWOLF BY NIGHT and GHOST RIDER (and later known as a film design artist) could've carried on that strip without anyone even noticing that it wasn't Eisner. Hey, wait a minute! DC is fianally reviving THE SPIRIT! Somebody call Ploog! Quick!

More Super Saturday Club

Here's a link to the only other real info I could find online about the Super Saturday Club. If you intrepid surfers know of anything else, please let me know and I'll link to it. Thanks!

ABC's Super Saturday Club


1969 may have been the year of Woodstock but if you were 10 like I was, it was actually the year of the SUPER SATURDAY CLUB on ABC TV! Heavily advertised in the comics and on TV , the network seemed to genuinely have big plans for the club beyond just getting a mailing list of kids who would get their parents to buy more merchandise. Kids were instructed in how to form local clubs at school with others who had ordered the official membership kit. The network offered lots of ideas for activities also and many of them didn't even involve watching TV at all!I'm not sure what happened but they gave up the ghost pretty quickly. It may have been when one of the flagship series--I think it was SKYHAWKS-- was cancelled.
The full page comics ads came first. I'm pretty sure I'd already sent in my hard-earned (or more likely begged for) 50 cents by the time ABC aired THE GHOST AND MRS. MUIR PRESENT ABC'S SUPER SATURDAY, a Friday night special in which the cast of that sitcom (itself a new transplant from NBC) introduced the cartoons and the club to viewers.
What you recieved was the usual membership card and poster as well as a nifty little booklet that served as both a PR piece and a club handbook. Somewhere in the Library, we still have the membership card but the poster is long lost to the mists of time, existing only in this very faded photo of your Librarian with his friend, the Incredible Hulk, taken, apparently, around Halloween of 1969.
The booklet, however, is still extant and offered here for your amusement and edification. Hey, I've even erased the crossword puzzle and the connect the dots so you can get the full experience yourself!
At some point, all of the Super Saturday Club members recieved a letter (probably in early 1970)informing them that the club was being eliminated. We were offered a full refund or one of several other prizes including the one I took, an LP album capsulizing ABC News coverage of the previous summer's moon landing. Entitled FOOTSTEPS ON THE MOON, the album still has a prominent place here in the history section of the Library.
Oh, one more thing. Did I mention that every single one of the new cartoon shows touted by the club was virtually unwatchable? Despite the obvious Alex Toth designwork on some of the characters, they were slow, dull, unfunny and barely animated. I was already longing instead for the hilarious, action-packed cartoons of just a few seasons before like SPACE GHOST and WACKY RACES. THE CATANOOGA CATS had some okay pop songs but even that, when viewed more recently on Boomerang, was pretty bad. Sigh. Who said "Nostalgia isn't what it used to be."?

Friday, September 02, 2005

Cap in Australia


Many of us are no doubt familiar with the exploits of "Captain America-Commie Smasher," the right wing fifties version of our hero that Steve Englehart later retconned into a completely separate character in one of my favorite Cap stories of all time...and Cap is and always has been my favorite Marvel character.
Probably not many of you, however, have seen the bizarrely off-model coloring in the Australian reprints to your right. Cap, although just wrong, doesn't really look all that bad. The main thing I come away with here is just how generic Bucky really is. I mean, miscolored here it's impossible to tell he's not just some other more obscure kid sidekick! Actually, we don't have these issues at the Library. We do, though have the book these images come from, NOSTALGIA ABOUT COMICS, a fun and fascinating 1991 British book with hundreds of equally bizarre (at least to Americans)illustrations from the Golden Age of UK comics. I'm sure we'll revisit this book later on.

Jerry's Weekend


That's what we should call it. I mean, seriously, isn't "Labor" Day just a tad nebulous? Are we celebrating pregnant women? Some sort of Communist 5 year plan maybe? What exactly IS Labor Day other than an unofficial end to summer and the more or less official excuse to kick off the holiday season four months early? So why not call it Jerry's Weekend? Jerry Day, perhaps? For any of us who came of age in the seventies, it's always been the one weekend of the year you could count on seeing Jerry Lewis . Also, for many years Jerry presented some of the biggest performers as well as some of the best not-so-big performers. John Lennon appeared in the mid-seventies, Frank Sinatra and Sammy Davis, Jr. appeared regularly. Even estranged partner Dean Martin appeared on the Muscular Dystrophy Telethon in 1976!

Sure, it became so ubiquitous that it became a punchline. It also became quite controversial for playing on the public's guilt to raise its annual millions to fight Muscular Dystrophy. But that's never deterred Jerry. He knows he's the best and no one had better tell him different. In fact, Jerry's obnoxious egotist character in THE NUTTY PROFESSOR, Buddy Love, is reportedly much more like the real Jerry Lewis than his "Kid" character.

It was the Buddy Love Jerry, for example who wrote this book, THE TOTAL FILM-MAKER. Originally published in 1971 (pictured is the 1973 mass market paperback edition) the book is made up almost entirely of edited lectures from Jerry's tenure teaching film at USC. He comes across as an arrogant know-it-all but he does make some interesting points about directing, editing, dubbing and budgeting, among other topics.

Looking at Jerry's films as auteur, it's clear--even if you aren't French-- that he really does have talent. In fact, according to recent TV bios, he'd been directing no budget "home movies" for decades starring family and friends such as Janet Leigh. The problem seems to be that he was always full of himself and became fuller as time went on. When you think you can do no wrong and no one has the guts to tell you otherwise...well, look what happened to Elvis.

That said, I absolutely loved Jerry Lewis as I was growing up! From THE BELLBOY and CINDERFELLA to DON'T RAISE THE BRIDGE, LOWER THE RIVER and WHICH WAY TO THE FRONT?, Mr. L could do no wrong by me! I even followed Jerry's DC comic book which is probably more than Jerry himnself did! In the early seventies, he actually announced a grandiose plan to open a string of Jerry Lewis cinemas that would play only wholesome family films! Hey, I was about twelve. Sounded good. I looked for one to open near me for several years. Apparently a few DID open somewhere in the US but as business dwindled, I heard of at least one that was showing R-rated sex comedies like THE CHEERLEADERS. It's a shame. The whole idea probably would've been huge in France.

Interestingly enough as Jerry was throwing his career away by shooting the legendarily uncompleted drama, THE DAY THE CLOWN CRIED, I finally discovered that he had once been teamed with Dean Martin. Somehow, I'd missed that whole phase of his career! This revelation opened up a whole new group of Jerry films I'd never seen! I enjoyed watching them as they were revived regularly on seventies TV but Jerry, meanwhile, was reduced to badly edited, unfunny trash like HARDLY WORKING that was released in Europe a year or more before even finding an American distributor! Over the years, I also latched on to copies of Dean and Jerry's radio show and multiple TV appearances. He really was funny and they were a great team!

A year after Jerry's book went to paperback, Groucho Marx's son Arthur penned a sensationalized but mostly positive portrait of the Dean and Jerry team entitled EVERYBODY LOVES SOMEBODY SOMETIME (ESPECIALLY HIMSELF). It's been years since I've read it but as I recall, it doesn't spare the darker aspects of show business. Some were critical of Marx at the time but I still find it fascinating. It will be interesting to see how Jerry's own upcoming book, DEAN AND ME (A LOVE STORY) compares.

Dean and Jerry met a few more times after that '76 telethon. One such occasion was Dean's 72nd birthday in 1989 when Jerry walked in on Dean's Las Vegas stage act pushing a giant birthday cake and complaining about Dino's act going on too long. "Why we broke up, I'll never know," he was reported at the time to have said.

You really have to grant it to Jerry, though. Having made his first movie , MY FRIEND IRMA, in 1949, I have no doubt that even now, 56 frickin' years later(!), I will laugh at something Jerry Lewis says this weekend. After all it's Jerry's Weekend again. Labor Day is Jerry Day.

Thursday, September 01, 2005

Scarce Peanuts Stickers


Okay, so it's not the Fourth of July weekend coming up. Can I help it if Charles Schulz never did special Labor Day stickers?
These Peanuts stickers were distributed in Butternut bread bags during the Bicentennial way back in 1976. These particular ones are, of course, totally valueless now as some cretin scrawled their name on each and every one of them...in the space intended for that exact purpose I might add. Sigh. Might have gone for a fortune on Ebay otherwise.

Check out Fantagraphics' amazing COMPLETE PEANUTS volumes here: The Complete Peanuts .

Wednesday, August 31, 2005

CORRECTION


Actually, the DC letter printed below couldn't have been that first one after all as a quick read makes mention of the fact that Superboy's parents look younger due to a serum from another dimension. Clearly this is a reference to a SUPERBOY story that appeared in, I believe, late 1967 or early 1968 in which some enterprising other-dimensional alien is using the Boy of Steel's real life as the basis for a TRUMAN SHOW type series. When told that his Q ratings were skewing too old because of the older "actors" playing the Kents, the sneaky fellow, realizing that he can't replace them, sends a youth potion their way and its effects are (conveniently) irreversible